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    <title>transmissions by ultrasonic future outlaw</title>
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    <description>dispatches from the sovereign freehold. thoughts on digital liberty, sound, and the right to exist outside the machine.</description>
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    <copyright>ultrasonic future outlaw. sovereign masters. no rights assigned.</copyright>
    <lastBuildDate>Fri, 24 Apr 2026 10:00:00 +0000</lastBuildDate>
    <pubDate>Fri, 24 Apr 2026 10:00:00 +0000</pubDate>
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      <title>transmissions by ultrasonic future outlaw</title>
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      <title>the faceless producer: anonymity as a creative act</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#faceless-producer</link>
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      <pubDate>Fri, 24 Apr 2026 10:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>aesthetic</category>
      <category>sovereign tools</category>
      <description>aphex twin. autechre. basic channel. burial. a long tradition of electronic music made by people who refused to give you their face. at the time, this seemed like mystique. now it looks more like foresight.</description>
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      <title>sonic obfuscation: what the sub-bass hides</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#sonic-obfuscation</link>
      <guid isPermaLink="false">ufo-article-9</guid>
      <pubDate>Fri, 24 Apr 2026 09:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>sovereign tools</category>
      <description>steganos: covered. graphia: writing. covered writing. the message is in the file, but the file does not look like it is carrying a message. it looks like music. a two-hour ambient record in lossless format contains several gigabytes of audio data.</description>
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      <title>reclaiming the algorithm: autechre's max/msp against the prediction engine</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#reclaiming-algorithm</link>
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      <pubDate>Fri, 24 Apr 2026 08:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>aesthetic</category>
      <category>sovereign tools</category>
      <description>in 1998, autechre were generating music in real-time using software that listened to itself and made its own decisions. this was the algorithm before the algorithm had a bad reputation. the same mathematics that decides which advert to show you can decide which sub-bass frequency comes next. the mathematics does not care. the intention is everything.</description>
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      <title>basic channel and the cypherpunk blueprint</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#basic-channel-cypherpunks</link>
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      <pubDate>Fri, 24 Apr 2026 07:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>aesthetic</category>
      <category>sovereign tools</category>
      <description>in 1993, moritz von oswald and mark ernestus were pressing white vinyl in berlin with no barcodes, no press photos, no label name. in 1993, the cypherpunk mailing list had been running for a year. they were solving the same problem from opposite ends.</description>
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      <title>sub-bass and signal: pirate radio and what comes after</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#pirate-radio</link>
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      <pubDate>Fri, 24 Apr 2026 06:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>sovereign tools</category>
      <description>radio caroline launched from a ship in the north sea because the bbc had a monopoly and would not play what needed to be played. pirate radio is always a technical solution to a political problem. the problem has not been solved. the space has just moved.</description>
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      <title>a room you could enter: what dub techno is actually for</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#dub-techno</link>
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      <pubDate>Wed, 22 Apr 2026 10:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>aesthetic</category>
      <description>most people hear "techno" and think: clubs, strobes, a drop. dub techno is the other thing. the underground of the underground. a history, a practice, and what it asks of you.</description>
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      <title>why we press 100, and why that number is not the point</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#why-100</link>
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      <pubDate>Wed, 22 Apr 2026 09:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>sovereign tools</category>
      <description>100 copies. not 10,000. the maths of small physical runs, what a finite number actually means, and why 100 people who chose are worth more than 10,000 who were targeted.</description>
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      <title>slow release lp: the signal is out</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#slow-release-lp</link>
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      <pubDate>Sat, 18 Apr 2026 10:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>release notes</category>
      <description>twelve tracks. two hours. two discs. a non-linear drift across stockport, manchester and sheffield. on bandcamp from 19 april. in hand at odioba the same night. no algorithm was consulted.</description>
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      <title>rendering the fog: how the cover art gets made</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#cover-art</link>
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      <pubDate>Sat, 18 Apr 2026 09:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>process</category>
      <category>aesthetic</category>
      <description>the cover is the first transmission. before the music, before the tracklist. here is how both records got their look: a 3d scene in blender, patient lighting, no stock, no ai. sovereign tools for a sovereign aesthetic.</description>
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      <title>why we press CDs in 2026</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#article-3</link>
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      <pubDate>Mon, 23 Mar 2026 10:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>sovereign tools</category>
      <description>two hours of dub techno across two discs. no algorithm involved. a guide to pressing your own music, owning every copy, and selling direct. here's how.</description>
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      <title>the automation quiet</title>
      <link>https://ultrasonicfutureoutlaw.com/blog.html#article-2</link>
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      <pubDate>Mon, 23 Mar 2026 09:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>aesthetic</category>
      <description>in a near-future stockport, the machines took the jobs and gave everyone a wage. nobody starved. nobody worked. and nobody felt anything. until someone pressed record.</description>
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      <title>the charter of digital liberties</title>
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      <pubDate>Sun, 22 Mar 2026 10:00:00 +0000</pubDate>
      <dc:creator>ultrasonic future outlaw</dc:creator>
      <category>sovereign tools</category>
      <description>your face is not a barcode. your data is not their oil. this is the charter of the sovereign biological freehold. five articles for the digital age.</description>
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